After Marfa, Wifely and I drove to Roswell, New Mexico, hunting aliens. On the way we passed by this fairly alien thing, a modern art installation. Shortly after it was put up, vandals critiqued it by spray-painting on its wall the word DUMB:
For our first wedding anniversary(!!!), her birthday, and my student-teaching’s successful conclusion, Wifely Kate and I have taken a road trip to Marfa, Texas. It’s an incongruously posh West Texas town of about 2000 people, each better dressed and better groomed than you. Cross Stuff White People Like with Fort Worth’s aggressively vegan Spiral Diner, write it up in the New York Times, and you’d wind up with something like this town. More laid-back than Austin, and on average, more expensive, too. No Shiner on tap at a hotel courtyard, but there’s Brooklyn Lager!
We’re having a wonderful time, enough for me to let loose with this good-intentioned mockery.
Close to the nearby megalopolis of Ruidosa, Texas
The drive down took us eight, maybe nine hours, including two or three stops. To ease the journey, we created an iPod playlist to randomize 1) her songs that I can withstand (“Firework” by Katy Perry) and 2) my songs that she can withstand (“Got a Match?” by the Chick Corea Elektric Band). I named the playlist “Marfa Double Boo.” You see, I call her Boo, she calls me same; hence: Marfa Double Boo.
Dust Devil Approacheth
Dust Devil is Furious!
One thing about Marfa this summer — it’s HOT. Dust devils such as the one pictured above often arise, according to meteorologist JeffJamison, in “extreme temps >100 degrees,” where “the air is rising quickly [and] there’s enough shear above.” It’s a “tube of wind.” He goes on to say “Usually doesn’t do much damage and they do scoot along quickly.”
When we returned to Marfa from driving around Presidio (a town along the US-Mexico border), we had to pass through a US Border Patrol checkpoint. I expected some sort of drama, but really, when I rolled down the window, the authority figure just said: “Citizenship?” The responses which leapt to mind included:
I’ll take three.
What about it?
The correct answer was “American.”
Marfa Farmers Market
The food here is fantastic, nobody locks up their doors or bikes, the stars overhead are plentiful . . . and the famed Marfalights, allegedly paranormal lights that do float in the sky strangely, are, well, a little lame. Possibly they’re just ordinary lights reflected by atmospheric conditions that are abnormal due to sharp differences in temperatures and elevation. On our anniversary night, at the official Marfa lights viewing station — where we drank champagne saved from our wedding — true believers insisted to one another that the lights are indeed a paranormal phenomenon. Frankly I think the city of Marfa pays some guy to stand out there with a flashlight, but make up your own mind via the great 80′s competitor to 60 Minutes, Unsolved Mysteries:
Saturday mornings Wifely Kate and I go to the Cowtown Farmers Market (Twitter) for much of our week’s groceries. Kate looks at tomatoes and squash, and I eat free samples and look at Kate.
Beautiful Day, Beautiful Girl
The food at this market is grown locally; the vendors, who’re actually informed, can tell you about what you’re purchasing, how they grew it, what goes well with what, and so forth. Like many in the Fort Worth of my background, I grew up on Brinker Inc. & SpaghettiOs & Kraft. But! Even here, there’s arugula and okra and all sorts of real food. Pro tip: food is often an acquired taste; try alien food (asparagus?) several times, across several days, and you’ll grow to like it. Everyone admits beer is an acquired taste, right?
A Good Sign
Cowtown Farmers Market is on the Weatherford traffic circle: 3821 Southwest Blvd, Fort Worth TX 76116. Wednesday and Sunday, 8am to noon.
They sell fair trade organic coffee & tea. Kate told Rupert I prefer bold coffee, whereas she prefers more mild stuff, so he suggested their Black & Tan blend, designed to please all palates. After a good smell of the package, we bought it — I’ll let you know how it turns out, okay?
WHY does soap have to be so complicated? The other day my wife handed me some alleged body wash that apparently claims as its primary function “exfoliation” — or “moisturizing” — or some other ludicrous buzzword. Look, soap marketing people, here’s what I want when I take a shower:
Stuff to shampoo my hair
Stuff to condition my hair
Stuff to clean my face
Stuff to clean my body
I do not need or want to infuse my hair or any other part of me with complexities, I don’t care about the bottle texts’ creativity, I just want to wash off, okay? Though…I admit…this might be fun to try out:
P.S. I blogged this while about 30,000 feet over New Mexico and Texas!
and talking in that grim haggard amazed voice until at last listening would renege
I think that multi-adjective noun phrase — “grim haggard amazed voice” — and his millions like it are not supposed to convey an auditory percept to readers; they’re not supposed to convey sound data to readers’ perceptual faculties. After all, try to vocalize “William Faulkner” in all of the following configurations:
a grim, haggard, amazed voice
a grim, haggard, and not amazed voice
a grim, amazed, and not haggard voice
an amazed and haggard, but not grim voice
William venn Faulkner
I can’t do it, and if you can, you should post audio clips of the four on your blog. Until you do that, take my point as proven: the noun phrase “grim haggard amazed voice” isn’t supposed to convey an auditory percept. You’re not supposed to hear a specifically grim haggard amazed voice in your head (as opposed to a …). So, what is the phrase supposed to convey?
I think it’s intended to create for the cerebral mind the equivalent of a perceptual feeling-tone.
So far as I know, “feeling-tone” is a vague term out of physiology used to indicate a mood allegedly bundled up with a percept. On the feeling-tone view, you see a snake and you experience a feeling-tone of fright because there’s some fright tied up in the snake percept (perhaps even before it impinges on your awareness).
When you read “grim haggard amazed voice” there isn’t any resulting auditory percept, but there’s a feeling-tone you experience, right, a certain bleak mood? The interesting part is: the noun phrase is not plucking your emotions through your perceptual faculty, as the phrase “a red wheelbarrow glazed with rainwater beside the white chickens” does. Rather, the noun phrase is plucking your emotions through your conceptual one — yeah, percepts and concepts can’t be demarcated cleanly and all that, okay fine, anyway — which in one sense isn’t surprising because of course we have emotional reactions to very abstract words (“freedom” for example), but in another sense is definitely surprising to me as a reader because “grim haggard amazed voice” is so abstract that it feels as though Faulkner is doing a card trick with a tall deck, each wheeling card an emotion-causing abstraction in my left brain … and not many books work that way.
This explication is totally lacking something, and surely some Modernist poetics somewhere explains it in a lot of boring detail, probably written by a poet who needed funding. If you have a better explication than I, leave it in the comments.
P.S. I think William Gibson‘s Neuromancer (written, significantly, as far back as 1984) works similarly in many spots, and some readers who walk away from the book are expecting too many of the noun phrases to be translatable back into percepts. But they’re not; for instance:
He’d operated on an almost permanent adrenaline high, a byproduct of youth and proficiency, jacked into a custom cyberspace deck that projected his disembodied consciousness into the consensual hallucination that was the matrix
This is what to do with the remnants of vines you chop out of crepe myrtles. Those vines were so overgrown, by the way, that they effectively destroyed my hedge clippers — by the end of the afternoon, I’d wound up swinging the clippers like an axe.
July 20th, 2009 marks the 40th anniversary of the day when the only life we so far know to exist, having left its home planet and having focused for a moment into the form of a human being named Neil Armstrong, first strode across the soil of another celestial body. When life stepped off the ladder of the frail little Apollo 11 spacecraft called the Eagle and onto the surface of the Earth’s Moon. The 55-second video clip embedded below replays Armstrong’s first step and first lunar words as at least 600 million people on Earth experienced them televised live in 1969.
If you’ve been frantically calculating the angular momentum and the who’s torquing whom of current-events soundbyte spin — take a break. You can return to the various expectorations about the empathy of a “wise Latina” later, you can compare her empathy to the peculiar sentiments of Joe the Plumber later. But right now — do yourself a favor. Quest for no-spun reality by decoding a message which instead points toward the widest horizon, where empathy springs not just from considering gender and race, but from reverencing all life, reverencing all the universe.
Hubble Deep Field: Wherein magnification of just 0000000.7th of the sky above you reveals 10,000 galaxies, 123 quintillion stars
[W]hat can you say when you step off of something? Well, something about a step. [The line] just sort of evolved during the [roughly six-hour] period [after landing on the Moon] that I was doing the procedures of the practice takeoff [as if to return to the command module orbiting above] and the [Extra-vehicular Activity] prep and all the other activities that were on our flight schedule at that time. [... It] wasn’t much of a jump to say what you could compare [a step] with.
Wherein the 2009 Lunar Reconnaissance Orbiter has photographed the base of the Eagle spacecraft still sitting on the Moon (center of photograph, with horizontal shadow)
The morning after the moon landing, The New York Times reported Armstrong’s famous line as “That’s one small step for man, one giant leap for mankind.” According to the Times, then, and also according to many other ears, Armstrong left out the ‘a’ in ‘for a man.’ Which would render his line equivalent to “That’s one small step for mankind, one giant leap for mankind.” A frustrating contradiction. Armstrong might have thrown up his hands a few years ago when he told biographer Hansen:
For people who have listened to me for hours on the radio communication tapes, they know I left a lot of syllables out. It was not unusual for me to do that. I’m not particularly articulate. Perhaps [the 'a' in 'for a man'] was a suppressed sound that didn’t get picked up by the voice mike. As I have listened to it, it doesn’t sound like there was time for the word to be there. On the other hand, I think that reasonable people will realize that I didn’t intentionally make an inane statement, and that certainly the ‘a’ was intended, because that’s the only way the statement makes any sense. So I would hope that history would grant me leeway for dropping the syllable and understand that it was certainly intended, even if it wasn’t said — although it actually might have been. [... Historians] can put it in parentheses.
Today you get all kinds nudging you with their elbows and half-whispering, “Do you know what Neil Armstrong really said?” A setup for their gloating found-feet-of-clay punch: “He flubbed his line!!! He really said — ” and on and on.
Pale Blue Dot: Wherein from a distance of 3.7 billion miles, sunlight scattered off the Voyager 1 probe puts the Earth and you into the universe
Neil Armstrong’s alleged first words on the moon are now deciphered by modern technology as grammatically correct [...] My husband was a science fiction writer. The moon landing was as important to him as [our unborn] child [...] was to me; but then, in some mysterious way, the two became connected in my mind; the child that would come out of me and the astronauts that would come out of the ship and walk on the moon.
In 2006, with a great deal of attendant media attention, journalist/entrepreneur Peter Shann Ford claimed to have located the ‘a’ in the waveform of Neil’s transmission. Subsequently, more rigorous analyses of the transmission were undertaken by a number of people, including some with professional experience with audio waveforms and, most importantly, audio spectrograms. As of October 2006, none of these analyses support Ford’s conclusion.
My take? The embedded 7-second audio clip below plays my 88% slow-down of Neil Armstrong’s “for a man” phrase as well as the phrase spoken at regular speed. If you listen very closely — and listen to it loud — and listen again, maybe believing a little, you can hear Armstrong automatically transform, with his northwestern Ohio boy accent, “for a man” to “furuh man.”
If you must pat yourself on the back and straitjacket Apollo 11 into the context of jingoism and the Cold War and the military machine, go ahead; if you must quarrel about Armstrong saying ‘mankind’ and not ‘humankind’ or ‘life,’ go ahead; however accurate you might be, you are right now spinning away, too accelerated to pause for the perspective of the universe as braved in 1969. As you exit, let me send you with a note explaining that in less than a billion years, as the sun burns more and more fiercely, the Earth (unless we move it!) will be hotter than boiling water and will have no atmosphere; in 7.6 billion, the sun, by then a red giant, will swallow the Earth. Those of us who have taken the perspective of the universe care not just about the present but also about the farthest future. Where will life go?
Asking such a question, listening closely, we have herein slowed spin sufficiently to decode Armstrong’s message. We know Armstrong’s intention, at the very least. “That’s one small step for a man, one giant leap for mankind.”
What might it mean?
It’s not symptomatic of some ultimate white flight. I say Armstrong’s combination of the provincial and the cosmopolitan, the timely and the universal, points us toward the deepest empathy. Wherein we know ourselves, and without losing our individual identity — a northwestern Ohio accent or another accent adding to the great universal jam session — we blesh with the identities of others, especially those we dislike, working to understand, to reverence all things.
Just like these folk in Holland 1979, jamming out to the universe:
Blesh? The neologism comes from Theodore Sturgeon’s novel More Than Human. If you, like The New York Times, still need to ask if someone can “write about spaceships and monsters and alien civilizations and still be a great American writer?”, then pay especial attention.
Wherein you benefit immensely
To “blesh,” Sturgeon writes, means “everyone all together being something, even if they all did different things. [...] Lone said maybe it was a mixture of ‘blending’ and ‘meshing,’ but I don’t think he believed that himself. It was a lot more than that.” As Crawdaddy! creator, rock journalist, science-fiction chronicler Paul Williams writes in his online essay Theodore Sturgeon, Storyteller:
Crosby, like most mid-Sixties’ rock musicians (and underground press editors, political activists, dope impresarios, etc.), was an avid reader of science fiction in general and Sturgeon in particular; and he realized early that the Byrds and other rock groups were living examples of Sturgeon’s idea that a group of humans could function as more than the sum of the individuals involved … not just more, but mystically more, so that the group took on its own personality and created things that none of its individual members could even have imagined. Chester Anderson wrote in the San Francisco Oracle in 1966, in a widely reprinted analysis of the new rock or “head” music, “Rock is evolving Sturgeonesque homo gestalt configurations…..” The Merry Pranksters were another example of the same phenomenon, as were all the nameless groups that came together to organize political or cultural events and then disbanded and vanished when the work was done.
[...] Sturgeon, in More than Human and throughout his work, is a moralist as well as a visionary. Not the kind of moralist who knows what’s right and what’s wrong and tells you in so many words, but the kind who is searching for the answers and shares his search with his readers. [...] Sturgeon’s answer is awkward and incomplete, but, for our generation, much more appropriate than Nietzsche’s.
(Paul Williams now requires full-time medical care; his website asks for donations.)
And as to the “wise Latina”? For all the Congressional insistence that a judge not be “activist,” for all the expectorations asserting that “the” law must be mechanistically applied by “impartial” judges, Edward H. Levi makes clear in An Introduction to Legal Reasoning that legal reasoning is necessarily activist, and imperfect, which is why it works so well. What we want on the Supreme Court bench and elsewhere in the universe is the broadest, deepest empathy. Even the George W. Bush-appointed Justice Sam Alito said “in immigration and naturalization cases” he “can’t help but think” of his “own immigrant ancestors,” and he said “When I get a case about discrimination, I have to think about people in my own family who suffered discrimination because of their ethnic background or because of religion or because of gender. And I do take that into account.”
Good science fiction — or, given Apollo, science fact — sends out a message calling for empathy. Life moves forward toward the perspective of the universe. Signing off this message with a description of that perspective from More Than Human:
[This] ethos will give you a code for survival too. But it is a greater survival than your own, or my species, or yours. What it is really is a reverence for your sources and your posterity. It is a study of the main current which created you, and in which you will create still a greater thing when the time comes. [...]
And when their morals no longer suit their species, you or another ethical being will create new ones that vault still farther up the main stream, reverencing you, reverencing those who bore you and the ones who bore them, back and back to the first wild creature who was different because his heart leapt when he saw a star.
The most impressive Southern Magnolia (Magnolia Grandiflora) in Dallas-Fort Worth lives at the Fort Worth Botanic Garden. The picture above shows a view of it from near one of the Garden roads (along with a few tiny, other trees). Many magnolias in Fort Worth are impressively tall — for example, the one pictured below, which grows next to the library of my alma mater, TCU — but the one at the Botanic Gardens is the best!
A TCU Library Magnolia
From some angles, the Garden’s huge magnolia can at first look like many trees, not one. That’s why I never(!) truly noticed it; I mistakenly saw a big stand of multiple trees, not a single special individual. This past May, however, Kate — a special individual herself – showed me one of the “secret entrances” to the “cave” made by the magnolia’s drooping branches.
A Secret Entrance to the Big Magnolia Cave
Once you go through the secret entrance (no password necessary), you’ll see a scene like something out of Lord of the Rings or a King Arthur tale. This cave hides in plain sight near University Drive, one of the busiest streets in the city! Here’s a shot of it. The branches go all the way around, 360 degrees.
Fruit: Cylindrical aggregate of follicles (“seed pod”). Green changing to red. Matures Oct-Nov.
Twig: Stout. It gives off a citrus scent if broken.
Bark: Brown to gray, thin, smooth when young, but plating or scaling later in life.
The Southern Magnolia is sometimes called an Evergreen Magnolia, or a Bull-bay.
I took four pictures of the tree’s flowers, each illustrating a different stage of the flower life cycle. You can learn much more about the magnolia flower life cycle, and see pictures of it, at this website.
The Flower Before Blooming
The Flower Begins to Bloom
The Flower Has Bloomed
Once the petals fall off, the center of the flower remains — the fruit or seed pod:
The Fruit; Flower Petals Have Fallen
In the last year I’ve taken to learning about trees via field-guiding. While field-guiding is certainly enjoyable in itself, I started mostly because I wanted to improve my ability to see, both during observation and with my mind’s inner eye. Routine close observation of details — samaras, leafstalks, whatever — definitely has lead to improvement in both areas. For example, a mechanic showed me some small parts of a Civic brake system a few months back. My eyes would have simply glazed over a year ago. But as a result of field-guiding, I could see just what he was talking about. As to the inner eye: I’ve always had difficulty visualizing in my mind. Many people are startled when I confess that while I can close my eyes and picture a stop sign, I can’t mentally change its color. Still can’t. But the more I scrutinize small visual details, the better my mind’s eye becomes. A specific instance of this is what I think of as “stabilizing” my mental imagery. Before field-guiding, if I closed my eyes and visualized the sycamore fruit I have sitting on my shelf, the image would sort of wobble and vanish after only a second or two. Now I can more or less keep it in my inner eye for as long as I can concentrate.