April 7th, 2014 — Biz, Culture, DFW, Politics, Publicity, Writing
Today Salon published my and Amy O’Neal’s new article, “Portrait of a failed president: Inside the art of George W. Bush.” As is usual in this industry, they made some changes. So, some extra text and images here for you.
Below are the images buried in the article’s slideshow. (Except for Felipe Calderón, whose portrait I took a picture of, the images come from TheBushCenter’s Flickr.)
Portrait of Tony Blair
Portrait of the Dalai Lama
Portrait of Felipe Calderón
While Vladimir Putin’s false-flag bombings of his own Moscow remained in, George H.W. Bush’s connection to the JFK assassination came out. Here’s that text:
He once said he didn’t remember where he was when John F. Kennedy was assasinated, which is like saying you don’t remember where you were when Apollo 11 landed on the moon or the twin towers came down. As journalist Russ Baker’s thorough book Family of Secrets reveals, Poppy was actually in Dallas the day before and probably the morning of November 22, 1963, when military intelligence figures led Kennedy’s motorcade to its fate. Poppy was also a friend of George de Mohrenschildt, Lee Harvey Oswald’s handler, and closely tied to Allen Dulles, whom JFK removed from the CIA directorship. Not to mention Poppy’s ties to Texas oil barons whose tax breaks JFK wanted to end. Draw your own conclusions about this “gentle soul.”
Also I want to note that Bush raised more than half a billion dollars for the complex. Presidents raise money for their libraries while in office (as well as after), which means the fundraising is an opportunity for influence to be exerted. Even foreign leaders can give sitting presidents secret donations for their libraries.
Extra material for Salon George W. Bush painting article by Douglas Lucas is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License. It does not affect your fair use rights or my moral rights. You can view the full license (the legalese) here; you can view a human-readable summary of it here. To learn more about Creative Commons, read this article. License based on a work at www.douglaslucas.com. Seeking permissions beyond the scope of this license? Email me: email@example.com.
February 26th, 2012 — Biz, Digital Ideologies, Politics, Texas
STRATFOR Emails Leak
WikiLeaks just released The Global Intelligence Files, five million-plus emails from global intelligence company Stratfor headquartered in Austin, Texas.
OVER 9000 Over 25 media outlets working together.
I just wrote a piece on WikiLeaks and Julian Assange for Salon. Please contact me at once (firstname.lastname@example.org) if you’re in Austin and doing anything related to Stratfor and/or this leak. If there’s sufficient reason, I’m coming down there!
Hashtags for the leak: #giFiles and #giFind.
WikiLeaks STRATFOR Leak — Are you in Austin? Contact Me! by Douglas Lucas is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License. Based on a work at www.douglaslucas.com. Seeking permissions beyond the scope of this license? Email me: email@example.com.
October 27th, 2010 — Biz, Digital Ideologies, Fiction
Whoa, I just earned actual money by writing and self-publishing fiction without an agent or a publisher or an editor or an acquisitions editor. Without any other gatekeeper. The point of this post isn’t the handful (or less) of euros, but another anecdote supporting the march toward what might well be a new paradigm for publishing.
I’ve received fan mail for the story; again, this is not to brag, but to point out that netizens actually read and enjoyed the piece without mediators between them and me. (Artistically, critiquers helped me, of course; and, there are Dreamhost and Flattr and other web companies/organizations, plus the overhead cost of running this website. So in a very loose sense there are, if not mediators, connectors.)
The money came because someone I’ve never met flattr‘ed — donated in favor of — my short story “Glenn of Green Gables,” which I self-published under a Creative Commons license.
The license allows readers to share (copy) and remix (adapt; e.g., translate) the story so long as they do so on a noncommercial basis, give my name and my story attribution & linkage, and license any remix/adaptation they make similarly. In other words, share the story all you want, freely, and do something cool with it, unless it involves plagiarism or making money. (If you’re Hollywood, email me.)
Yeah, download the short story, the whole thing, and toss a few coins in the tip jar on my digital street corner here where I’m being your bard.
I think magazines and publishing houses are still very necessary. They provide authors with infrastructure for, say, interviews and book tours, among other functions. (After all, most artist types aren’t the greatest biz folk at promoting themselves.) Houses help readers choose between fiction based on reputation. They connect authors with communities and with editors — though tons of editors are already freelancing outside the umbrellas of publishing houses. AND magazines and publishers still have bigger bullhorns than many websites (including mine), bigger wallets than micro-donaters, and they typically bestow more credibility (for opportunities such as speaking gigs) than self-publications. So, sure, I definitely still want to get a bunch of stories past gatekeepers. They’re not all bad or anything!
But the bottom line: in order to connect with readers and score some pocket change, I won’t have to have gatekeepers’ approval. Not anymore. Score one for the Internet.